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Vous avez sélectionné:
Amber Beams
Partitions à imprimer
13 partitions trouvées
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1
Calls
Calls
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Flûte traversière
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Contemporain
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Amber Beams
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Calls
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Amber Beams
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SheetMusicPlus
Composed by Amber Beams. 21st Century. Score, Solo Part. 6 pages. Published by Amber Beams (S0.184717). - Score,Solo Part - 21st Century - Amber Beams...
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Composed by Amber Beams. 21st Century. Score, Solo Part. 6 pages. Published by Amber Beams (S0.184717). - Score,Solo Part - 21st Century - Amber Beams
$10.00 ≈
9.33€
Night of the Bells
Night of the Bells
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Cloches
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AVANCÉ
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Contemporain
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Amber Beams
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Night of the Bells
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Amber D Beams
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SheetMusicPlus
Handbell - Level 5 - SKU: A0.933933 Composed by Amber Beams. Contemporary. Score. 17 pages. Amber D Beams #2968081. Published by Amber D Beams (A0.93393...
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Handbell - Level 5 - SKU: A0.933933 Composed by Amber Beams. Contemporary. Score. 17 pages. Amber D Beams #2968081. Published by Amber D Beams (A0.933933). Night of the Bells is a continuation of my journey into breaking the standards of handbell ensemble repertoire. This piece uses a variety of techniques that adds texture to the piece and visual interest for the audience. I invite you, the audience, to step into an evening of wonderment as the bells perform their nightly song.6-octave Level 6Duration: 13:13www.beamsmusic.weebly.com.
$6.00 ≈
5.60€
Amber Tresses Tied in Blue. Song and Chorus
Amber Tresses Tied in Blue. Song and Chorus
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H
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Amber Tresses Tied in Blue. So
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4090 Composed by H.P. Danks. Portraits, Courtship, Hairstyles. Lester S. Levy Collection. 4 pages. Publ...
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Piano and voice (solo and SATB chorus) - SKU: LV.4090 Composed by H.P. Danks. Portraits, Courtship, Hairstyles. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4090). Amber Tresses Tied in Blue. Song and Chorus. Words by Samuel M. Mitchell. Music by H.P. Danks. Published 1874 by Cottier & Denton, 269 Main St. in Buffalo. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Courtship, Hairstyles. First line reads Far away in sunny meadows, where the merry sunbeams play'd.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
Now vanish before the holy beams (The Creation)
Now vanish before the holy beams (The Creation)
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J Haydn
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Philip Le Bas
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Now vanish before the holy bea
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Philip Le Bas
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SheetMusicPlus
Alto Voice,Bass Voice,Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Soprano voice,Tenor Voice - Level 4 - SKU: A0.1127980 Composed by J Haydn. Arranged b...
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Alto Voice,Bass Voice,Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Soprano voice,Tenor Voice - Level 4 - SKU: A0.1127980 Composed by J Haydn. Arranged by Philip Le Bas. Baroque,Chamber,Christian,Classical,Sacred. 59 pages. Philip Le Bas #728588. Published by Philip Le Bas (A0.1127980). The aria Now Vanish Before the Holy Beams from Joseph Haydn's Creation for tenor soloist and SATB choir, with accompaniment here arranged for wind quintet and double bass by Philip Le Bas.
$5.99 ≈
5.59€
Dance of the Moonbeams
Dance of the Moonbeams
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Christian contemporain
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Musique Sacrée
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James Alexander Pavlic
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Dance of the Moonbeams
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James A. Pavlic
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Harp,Oboe,Viola,Violin - SKU: A0.923352 Composed by James Alexander Pavlic. Contemporary,Sacred. Score and parts....
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Large Ensemble Cello,Double Bass,Flute,Harp,Oboe,Viola,Violin - SKU: A0.923352 Composed by James Alexander Pavlic. Contemporary,Sacred. Score and parts. 36 pages. James A. Pavlic #6626571. Published by James A. Pavlic (A0.923352). Imagine sitting in a nice log cabin in front of a big lake as the full moon's eery glare bounces off the water. The moons gaze illuminates everything and the cool of the night pulls you into its glare. This is what inspired this work; and, it cascading string beds, and whimsical melodies will pull you in. It concludes with an ending as if the the night's work is done and another evening will give one the ability to reflect on where they've been and what good they can bring. Scored for chamber orchestra and is of the intermediate playing level. Some parts may require a little bit of preparation to insure music is seamless.
$15.99 ≈
14.92€
Yuki-Onna (piano solo)
Yuki-Onna (piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Pub...
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Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Things”, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.” And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.” Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!” As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99 ≈
5.59€
DSCHbags vs. BACHstards
DSCHbags vs. BACHstards
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Chorale SATB
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AVANCÉ
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Sally Whitwell
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DSCHbags vs. BACHstards
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1178563 Composed by Sally Whitwell. Chamber,Classical,Comedy,Contemporary. Octavo. 12 pages. Sally Whitwe...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1178563 Composed by Sally Whitwell. Chamber,Classical,Comedy,Contemporary. Octavo. 12 pages. Sally Whitwell #778526. Published by Sally Whitwell (A0.1178563). DSCHbags vs. BACHstards was inspired by a tweet I saw once (can't remember whose) offering the world a new word 'DSCHbag' to describe classical composers who are self-obsessed enough to need to include their musical signnature in every piece they write. My quick witted friend Peter J Casey replied with 'What a BACHstard' and this a cappella work was born.Don't think I don't like Shostakovich and bach. I really them and their musical signature thing is genuinely really clever, but I can't help but liked this habit to rapper who insist on yelling their own names in their songs. That is just plainn annoying.Performance note: The singers should be arranged in two SATB quartets that are mirror images of one another, so that singers may aim each motif directly to the face of their counterpart, like a weapon of sorts, laser beams for eyes.(DSCHbags vs. BACHstards was commissioned by The Song Company).
$1.99 ≈
1.86€
Chasing Horizon for Bassoon Quartet
Chasing Horizon for Bassoon Quartet
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4 Bassons
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INTERMÉDIAIRE
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Gabrielle Liriano
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Chasing Horizon for Bassoon Qu
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Art Haus Music Publishing
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SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - SKU: A0.1183088 Composed by Gabrielle Liriano. 20th Century,Chamber,Contemporary. 31 pages. Art Haus Music Publish...
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Woodwind Ensemble Bassoon - Level 3 - SKU: A0.1183088 Composed by Gabrielle Liriano. 20th Century,Chamber,Contemporary. 31 pages. Art Haus Music Publishing #782813. Published by Art Haus Music Publishing (A0.1183088). Chasing HorizonA Poem by Gabrielle LirianoLook out at that horizon lineA new day is dawningThe birds are yawningAnd the humans are crawling out of bedStretch for that horizon lineIts auburn fills your eyesWakeful rays for morning sighsA day’s work is aheadReach for that horizon lineIt’s not getting any closerBut would you want it to?Toward that horizon lineis a meadow laced with lilacStop and smell, Stay and unpackBut just for a short viewBecause you need to race for that horizon lineLike the zebras in the wildChasing dreams done in styleWill they ever come true?Stare at that horizon lineYou fall onto your kneesIn distress you feel the breezeIt will take care of youRest, for that horizon lineProceeds to hide the sunBlackness hinders a runAnd it is time to sleepDon’t worry that horizon lineWill wake you in the morningAnd its beams will send you soaringAnother day Another leapInstrumentation: Bassoon I, Bassoon II, Bassoon III, Bassoon IVDuration: Approx. 4 minutes and 30 seconds.
$40.00 ≈
37.33€
Nightsongs II for Soprano and Piano
Nightsongs II for Soprano and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Justus Parrotta
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Nightsongs II for Soprano and
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Cherrywood Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1349730 Composed by Justus Parrotta (b. 1988). 21st Century,Chamber,Classical,Contemporary. Score. 36 pages. Cherr...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1349730 Composed by Justus Parrotta (b. 1988). 21st Century,Chamber,Classical,Contemporary. Score. 36 pages. Cherrywood Editions #934502. Published by Cherrywood Editions (A0.1349730). Nightsongs II consists of a series of sketches for voice and piano illustrating nighttime scenes. Odd-numbered movements focus on atmospheric textures, while even-numbered movements dwell on stars and galaxies. Movement I, Vocalise I, is inspired by street lights casting a copper hue against a dark cobalt sky. Movement II, Choose Something Like a Star, shifts between subdued and bright registers of the voice and piano to illustrate the contrast of the stars in the night sky. Movement III, Intermezzo, drives the listener to a country road on a cloudy night with pine trees on either side while the high beams illuminate the path. Frequent 16th notes in this movement create a motor-like motion. Compound meter with quick 16th notes in Movement IV, Returning, imparts a buoyant character that floats through different galaxies along with frequent use of Lydian and Myxolydian Modes and the Acoustic Scale. Movement V, Vocalise II, paints a picture of a hilly grass field and a parking lot on a cloudy and rainy night, surrounded by lights with a muffled glow.
$14.99 ≈
13.99€
Yuki-Onna (piano 4-hands)
Yuki-Onna (piano 4-hands)
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. P...
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1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Things”, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.” And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.” Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!” As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99 ≈
5.59€
The Four Seasons in the Basque Country
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3⁄4 meters where the eighth notes are basically equal, but in the dance the 3⁄4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00 ≈
93.34€
Windowsill Nocturne (Trio for Two Flutes and Marimba/Vibes)
Windowsill Nocturne (Trio for Two Flutes and Marimba/Vibes)
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Contemporain
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Adam Lenhart
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Windowsill Nocturne
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Adam Lenhart
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SheetMusicPlus
Flute,Vibraphone - Level 3 - SKU: A0.949383 Composed by Adam Lenhart. Contemporary. 15 pages. Adam Lenhart #5314667. Published by Adam Lenhart (A0.94938...
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Flute,Vibraphone - Level 3 - SKU: A0.949383 Composed by Adam Lenhart. Contemporary. 15 pages. Adam Lenhart #5314667. Published by Adam Lenhart (A0.949383). Ethereal and dreamy, this trio for two flutes and mallet percussion is inspired by moonbeams striking through a window on a cloudless night. This piece utilizes triplets, quintuplets and dissonance between instruments to create a unique and otherworldly ambiance. The mallet percussion part for this piece is suitable for a three-octave instrument (F3-F6), and may be played on marimba or vibraphone. Medium-soft rubber or yarn mallets are recommended. Includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99 ≈
4.66€
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